江戸木彫刻
江戸木彫刻
江戸木彫刻
江戸木彫刻

Shiota Carving Studio

Tadashi Shiota

Shiota Carving Studio

Mr. Tadashi Shiota was born in 1941 in Tokyo. From a young age, he displayed exceptional dexterity, and by elementary school he was already receiving awards for his carvings, earning a reputation among peers as “the go-to for any craftwork.”

His father, a skilled joiner, recognized his son’s talent and sought to nurture it further. He arranged for Tadashi to apprentice under Koichi Matsumoto, a master of intricate openwork carving.

The apprenticeship, which began in a workshop in Sumida Ward, was rigorous. Tadashi received little direct instruction from his master and spent long days and nights working tirelessly. For him, the true teacher was his tools; by sharpening his chisels on whetstones and listening carefully to their “voice,” he gradually mastered his craft.

Tadashi’s dedication was unmatched—he arrived at the workshop before anyone else and left after everyone had gone. This decade-long training earned him the trust to take on major projects.

Following his marriage, and at his master’s encouragement, he established his own workshop in Nishi-Kameari, founding Shiota Carving Studio and beginning his independent career.

Commitment to quality

Commitment to quality

Mr. Tadashi Shiota of Shiota Carving Studio is a master of sukashi, one of the most advanced techniques in Edo-style woodcarving. Using only chisels and finishing the wood with a small knife—without the aid of files—his work allows no room for error.

The sukashi technique, which involves carving intricate patterns such as plum and cherry blossoms or dragons along the grain of the wood, demands years of experience, acute sensitivity, and intense concentration, as even the smallest flaw can compromise the value of the piece. Before carving, Mr. Shiota carefully studies the wood grain and prioritizes working with its natural flow.

When creating ranma (transom panels) for traditional Japanese houses, he ensures that the carvings blend naturally with the space, keeping the patterns simple and unobtrusive. He has also developed a unique technique called “sewing-machine inlay”, which applies sukashi principles to join different woods with perfect precision—a testament to his curiosity and dedication to craftsmanship.

His style, which embodies elegance within harmony, reflects the very spirit of traditional Japanese architecture and interior aesthetics.

The “Sukashi” Technique, Finished with a Sharp Knife

The “Sukashi” Technique, Finished with a Sharp Knife

Shiota Carving Studio preserves the traditions of Edo-style woodcarving and specializes in the delicate art of sukashi carving. Sukashi is an advanced openwork technique in which the wood is carefully cut away without chipping, creating space within the design. It demands extraordinary focus and years of experience.

At Shiota Carving Studio, all work is finished using chisels alone, without any files, allowing the natural beauty of the wood grain and subtle shadows to shine through. Patterns such as seasonal flowers—plum and cherry blossoms—and powerful motifs like dragons are carved with impeccable precision, a feat that requires exceptional skill.

The completed pieces blend seamlessly into architectural spaces, including the ranma (transom panels) of traditional Japanese homes, projecting a quiet yet dignified elegance without overwhelming the room. The studio’s mastery of traditional techniques, combined with meticulous handwork, brings a profound sense of beauty and the passage of time into everyday life—a hallmark of Shiota Carving Studio’s woodcarving.

A cutting board made from a single piece of natural cypress

Sales price(tax included): ¥5,500
In stock
  • ■ color: grain
  • ■ size: Approximately 24cm x 41cm x 3.2cm
  • ■ material:
【Edo wood carving】A cutting board made from a single piece of natural cypress

Unlike plastic cutting boards, wooden cutting boards are softer on the knife blade, putting less strain on the blade or the knife itself, which is why they are popular with many professional chefs.
Also, although it is often misunderstood, natural wood is naturally highly antibacterial, and with proper care it can be prevented from warping.
Hinoki cypress in particular is said to contain a lot of antibacterial ingredients such as casinol.
This is a top-quality cutting board that has been personally selected, cut, and hand-processed to prevent warping by a woodcarver who is well-versed in the properties of wood.
You'll see the difference immediately when you try it.

Shiota Carving Studio

Tadashi Shiota

Shiota Carving Studio

Mr. Tadashi Shiota was born in 1941 in Tokyo. From a young age, he displayed exceptional dexterity, and by elementary school he was already receiving awards for his carvings, earning a reputation among peers as “the go-to for any craftwork.”

His father, a skilled joiner, recognized his son’s talent and sought to nurture it further. He arranged for Tadashi to apprentice under Koichi Matsumoto, a master of intricate openwork carving.

The apprenticeship, which began in a workshop in Sumida Ward, was rigorous. Tadashi received little direct instruction from his master and spent long days and nights working tirelessly. For him, the true teacher was his tools; by sharpening his chisels on whetstones and listening carefully to their “voice,” he gradually mastered his craft.

Tadashi’s dedication was unmatched—he arrived at the workshop before anyone else and left after everyone had gone. This decade-long training earned him the trust to take on major projects.

Following his marriage, and at his master’s encouragement, he established his own workshop in Nishi-Kameari, founding Shiota Carving Studio and beginning his independent career.

Commitment to quality

Commitment to quality

Mr. Tadashi Shiota of Shiota Carving Studio is a master of sukashi, one of the most advanced techniques in Edo-style woodcarving. Using only chisels and finishing the wood with a small knife—without the aid of files—his work allows no room for error.

The sukashi technique, which involves carving intricate patterns such as plum and cherry blossoms or dragons along the grain of the wood, demands years of experience, acute sensitivity, and intense concentration, as even the smallest flaw can compromise the value of the piece. Before carving, Mr. Shiota carefully studies the wood grain and prioritizes working with its natural flow.

When creating ranma (transom panels) for traditional Japanese houses, he ensures that the carvings blend naturally with the space, keeping the patterns simple and unobtrusive. He has also developed a unique technique called “sewing-machine inlay”, which applies sukashi principles to join different woods with perfect precision—a testament to his curiosity and dedication to craftsmanship.

His style, which embodies elegance within harmony, reflects the very spirit of traditional Japanese architecture and interior aesthetics.

The “Sukashi” Technique, Finished with a Sharp Knife

The “Sukashi” Technique, Finished with a Sharp Knife

Shiota Carving Studio preserves the traditions of Edo-style woodcarving and specializes in the delicate art of sukashi carving. Sukashi is an advanced openwork technique in which the wood is carefully cut away without chipping, creating space within the design. It demands extraordinary focus and years of experience.

At Shiota Carving Studio, all work is finished using chisels alone, without any files, allowing the natural beauty of the wood grain and subtle shadows to shine through. Patterns such as seasonal flowers—plum and cherry blossoms—and powerful motifs like dragons are carved with impeccable precision, a feat that requires exceptional skill.

The completed pieces blend seamlessly into architectural spaces, including the ranma (transom panels) of traditional Japanese homes, projecting a quiet yet dignified elegance without overwhelming the room. The studio’s mastery of traditional techniques, combined with meticulous handwork, brings a profound sense of beauty and the passage of time into everyday life—a hallmark of Shiota Carving Studio’s woodcarving.