手描友禅
手描友禅
手描友禅
手描友禅
手描友禅
手描友禅

“Hyo” Kimono Dyeing Studio

Osamu Hyōdō

Certified Traditional Craftsman of Katsushika Ward (2000)

“Hyo” Kimono Dyeing Studio

Osamu Hyōdō of “Hyo” Kimono Dyeing Studio, based in Katsushika Ward, graduated from the Tokyo Academy of Dyeing and Design and honed his skills at the Tadashi Ishizaki Design Institute before establishing his own studio. In 1993, he won the Grand Prize at the All Japan Newcomer Dyeing Exhibition, a renowned platform for emerging dyeing artists, earning high acclaim for his talent. Today, he is also officially recognized as a National Traditional Craftsman, actively working at the forefront of Tokyo hand-painted Yuzen.

Hyōdō’s work is celebrated for its bold compositions and innovative designs, as well as for the subtle yet bright color schemes that bring a sense of vibrancy within restrained tones. While honoring traditional techniques, he incorporates contemporary sensibilities, creating kimonos that enhance the wearer’s individuality. Over many years, he has produced numerous works and continues to pursue creative endeavors, firmly establishing himself as one of the leading artists in Tokyo hand-painted Yuzen.

Commitment to quality

Commitment to quality

Osamu Hyōdō devotes himself to creating works that honor the tradition of Tokyo hand-painted Yuzen while embracing contemporary sensibilities. He is deeply committed to personally handling every stage of production—from conceptual sketches, underdrawings, and Yuzen dyeing to the final finishing—ensuring that each piece carries his genuine care and intention.

His kimonos are characterized by calm base colors accented with bright, vivid hues and innovative compositions, allowing individuality to shine subtly within elegance. Even in an era of declining kimono demand, he continually reflects on what makes a kimono desirable in modern life, striving to create garments that people truly want to wear.

Hyōdō also pays careful attention to practical aspects such as ease of wearing and affordability, always considering the wearer’s perspective. This approach transforms kimonos from being merely traditional items into garments that can be enjoyed with joy and pride.

His hand-painted Yuzen embodies a quiet passion that enriches everyday life, blending tradition with a sensitivity that resonates in the heart.

Calm tones with subtle elegance

Calm tones with subtle elegance

Hand-painted Yuzen is a traditional Japanese dyeing technique that originated in the Edo period, notable for bringing a painterly, artistic expression to kimono fabrics. The origins of Yuzen dyeing are traced to the designs of Miyazaki Yuzen-sai, a Kyoto painter, who developed the method of drawing patterns directly onto white fabric. This innovation allowed for a freer and more realistic expression than the earlier komon or shibori techniques.

In Edo, during the Bunka and Bunsei periods, painters and craftsmen serving feudal lords gathered, refining the techniques and cultivating a unique Edo-style Yuzen culture.

Tokyo hand-painted Yuzen is distinguished by its integrated production process, in which a single artisan completes every stage—from conceptual sketches, underdrawings, and paste application to color insertion and final finishing. This ensures that the artist’s personal sensibility and aesthetic are strongly reflected in each piece.

The color palettes are typically restrained and calm, and the compositions make skillful use of negative space. Seasonal plants, flowers, and landscapes are depicted with clarity and delicacy, emphasizing beauty through subtlety rather than flamboyance. Its elegance and quiet dignity continue to resonate in modern times, earning recognition as a refined form of dyeing art that harmonizes with the wearer’s individuality.

Hand-painted Yuzen dyed canvas smartphone pouch with hemp leaf pattern

Sales price(tax included): ¥12,000
In stock
  • ■ color: yellow
  • ■ size: Approximately 24cm long x 20cm wide
  • ■ material: 85% cotton, 15% linen/cotton-linen canvas
【Hand-painted Yuzen】Hand-painted Yuzen dyed canvas smartphone pouch with hemp leaf pattern

Hemp leaves [Production process]
Natural No. 11 domestically produced canvas is squeezed, dyed with natural dyes, and mordanted.
After cutting and patterning, the fabric is made into a smartphone pouch.
After the garment is made, the patterns and designs are hand-painted one by one using the unique technique of Yuzen.
Finally, the color is fixed and the product is finished.
All are made by Japanese craftsmen.

“Hyo” Kimono Dyeing Studio

Osamu Hyōdō

Certified Traditional Craftsman of Katsushika Ward (2000)

“Hyo” Kimono Dyeing Studio

Osamu Hyōdō of “Hyo” Kimono Dyeing Studio, based in Katsushika Ward, graduated from the Tokyo Academy of Dyeing and Design and honed his skills at the Tadashi Ishizaki Design Institute before establishing his own studio. In 1993, he won the Grand Prize at the All Japan Newcomer Dyeing Exhibition, a renowned platform for emerging dyeing artists, earning high acclaim for his talent. Today, he is also officially recognized as a National Traditional Craftsman, actively working at the forefront of Tokyo hand-painted Yuzen.

Hyōdō’s work is celebrated for its bold compositions and innovative designs, as well as for the subtle yet bright color schemes that bring a sense of vibrancy within restrained tones. While honoring traditional techniques, he incorporates contemporary sensibilities, creating kimonos that enhance the wearer’s individuality. Over many years, he has produced numerous works and continues to pursue creative endeavors, firmly establishing himself as one of the leading artists in Tokyo hand-painted Yuzen.

Commitment to quality

Commitment to quality

Osamu Hyōdō devotes himself to creating works that honor the tradition of Tokyo hand-painted Yuzen while embracing contemporary sensibilities. He is deeply committed to personally handling every stage of production—from conceptual sketches, underdrawings, and Yuzen dyeing to the final finishing—ensuring that each piece carries his genuine care and intention.

His kimonos are characterized by calm base colors accented with bright, vivid hues and innovative compositions, allowing individuality to shine subtly within elegance. Even in an era of declining kimono demand, he continually reflects on what makes a kimono desirable in modern life, striving to create garments that people truly want to wear.

Hyōdō also pays careful attention to practical aspects such as ease of wearing and affordability, always considering the wearer’s perspective. This approach transforms kimonos from being merely traditional items into garments that can be enjoyed with joy and pride.

His hand-painted Yuzen embodies a quiet passion that enriches everyday life, blending tradition with a sensitivity that resonates in the heart.

Calm tones with subtle elegance

Calm tones with subtle elegance

Hand-painted Yuzen is a traditional Japanese dyeing technique that originated in the Edo period, notable for bringing a painterly, artistic expression to kimono fabrics. The origins of Yuzen dyeing are traced to the designs of Miyazaki Yuzen-sai, a Kyoto painter, who developed the method of drawing patterns directly onto white fabric. This innovation allowed for a freer and more realistic expression than the earlier komon or shibori techniques.

In Edo, during the Bunka and Bunsei periods, painters and craftsmen serving feudal lords gathered, refining the techniques and cultivating a unique Edo-style Yuzen culture.

Tokyo hand-painted Yuzen is distinguished by its integrated production process, in which a single artisan completes every stage—from conceptual sketches, underdrawings, and paste application to color insertion and final finishing. This ensures that the artist’s personal sensibility and aesthetic are strongly reflected in each piece.

The color palettes are typically restrained and calm, and the compositions make skillful use of negative space. Seasonal plants, flowers, and landscapes are depicted with clarity and delicacy, emphasizing beauty through subtlety rather than flamboyance. Its elegance and quiet dignity continue to resonate in modern times, earning recognition as a refined form of dyeing art that harmonizes with the wearer’s individuality.